| 1 | Excerpt of Symphony no. 5 movement 1 (1954): Principal theme [bar 1-5] | Sami Habra | 0:16 |
| 2 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): Entry into the Recapitulation (ff) [bar 240-252] | Sami Habra | 0:57 |
| 3 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): Ending of Recapitulation (ff) [bar 469-482] | Sami Habra | 1:04 |
| 4 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): Comparison of basic tempo [bar 6-24] | Sami Habra | 1:11 |
| 5 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 25-62] | Sami Habra | 1:25 |
| 6 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): The rush into the abyss (development) [bar 158-193] | Sami Habra | 1:16 |
| 7 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): Peak of the movement (before the final peroration) [bar 365-397] | Sami Habra | 1:12 |
| 8 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 398-455] | Sami Habra | 1:53 |
| 9 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): Second theme [bar 59-90] | Sami Habra | 1:14 |
| 10 | Excerpt of Symphony no. 5 movement 1 (1937,43,54): Adagio solo of the oboe [bar 253-268] | Sami Habra | 1:25 |
| 11 | Excerpt of Symphony no. 5 movement 1 (1954): Silence following last recurrence of main theme [bar 469-end] | Sami Habra | 0:45 |
| 12 | 5th symphony | Sami Habra | 1:14 |
| 13 | here is the theme 1937 | Sami Habra | 0:32 |
| 14 | 37-43-54: now the wonderful theme that Berlioz called "l'idée fixe" shall always be tinted with a definite lyrical shade | Sami Habra | 1:44 |
| 15 | Here is l'idée fixe 1937 | Sami Habra | 0:17 |
| 16 | 37-43-54: The tutti, acutely exhibit the fundamental differences between the three performances | Sami Habra | 0:53 |
| 17 | 37-43-54: 1st fortissimo | Sami Habra | 1:46 |
| 18 | 37: lyrical, noble-43: unbearably tense-54: senza espressione | Sami Habra | 1:34 |
| 19 | 54: martellato, tempo of 3rd movement | Sami Habra | 0:41 |
| 20 | 1954 | Sami Habra | 0:36 |
| 21 | 3rd Movement: 37-43-54 1st fortissimo | Sami Habra | 1:11 |
| 22 | 2nd fortissimi 1954 | Sami Habra | 0:31 |
| 23 | Fugato: 37-beautifully sustained flight-43-vehement rebellion-54-supreme grandeur | Sami Habra | 1:46 |
| 24 | 4th movement 37-43-54 | Sami Habra | 0:56 |
| 25 | 37: young and noble conqueror-43: magnificent stride-54: Roman conqueror | Sami Habra | 2:02 |
| 26 | 37-43-54: Furt constant is crescendo which he always asks for twelve bars before the end of the development | Sami Habra | 3:17 |
| 27 | 1954: The recapitulation by Furt is taken at a slightly faster tempo than the initial one. | Sami Habra | 0:58 |
| 28 | Recurrence of Allegro / 1943: the initial Allegro | Sami Habra | 1:21 |
| 29 | 37: great pace and arch-clear melodic line-43: sheer divine madness-54: the great farewell | Sami Habra | 3:05 |
| 30 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Ludwig van Beethoven | 7:44 |
| 31 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Ludwig van Beethoven | 10:20 |
| 32 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Ludwig van Beethoven | 5:50 |
| 33 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Ludwig van Beethoven | 8:08 |